Two colleagues become stranded on a deserted island, the only survivors of a plane crash. On the island, they must overcome past grievances and work together to survive, but ultimately, it's a battle of wills and wits to make it out alive.
Rated 2.5 / 5 from 1 log on Katalog
I have to accept at some point that Raimi movies just aren’t for me. I don’t vibe with his style of camp. I don’t buy it. I secretly suspect he’s being a sneaky little hipster rat and that a lot of his aesthetic is some sort of ironic, self aware, carefully put together act. Granted, I have no particular reason to believe this, since heavens know he never deviated from it, but I felt it from the start. Even at the height of my own cringe hipster rat stage, I felt it. Even Rachel McAdams can’t make me enjoy that. She did an outstanding job, both her and her co-star whose name escapes me. I just with there was more attached to their roles than jump scares, gore, weird nineties nostalgia—honestly the start of the movie looked like an AI generated “nineties corporate comedy” prompt, I half expected Jerry Seinfeld to jump out behind a corner—and played out takes on will to power.
